When it comes to music festivals in the northeast, it is difficult to look past the Ziro Festival, which marks 10 years this year. The Festival has gone from strength to strength and not only put Ziro on the national map but also become one of the most famous places for artists to perform. And all of this has been achieved while keeping the local population at the centre; by making them stakeholders in the festival. EastMojo spoke with co-founders Bobby Hano and Anup Kutty about their hopes, lessons and expectations.
What are the strongest memories of the first year? Now when you look back at it, would you like to change anything that happened in the first year?
Bobby Hano: It all began with a casual conversation about the festival with Anup Kutty and continued as we spearheaded it till the end. Reflecting on the first year brings back a flood of vivid memories. It was a truly transformative experience, filled with excitement, challenges, and remarkable moments that have left an indelible mark on me. One of the strongest memories from the first year is the overwhelming sense of community and unity that emerged throughout the festival. It was a testament to the power of music and the ability of an event like the Ziro Festival to bring people together. The response we received from both the artists and the audience in the first year remains special. Seeing the artists pour their hearts into their performances and witnessing the joy and appreciation on the faces of the attendees affirmed that we had created something truly special. The positive energy and enthusiasm were contagious, and it fueled our determination to make the Ziro Festival a platform for artistic expression and cultural exchange.
In terms of changing anything that happened in the first year, I believe that hindsight often brings the desire for improvement. While there were certainly challenges and areas where we faced unexpected obstacles, they were crucial for our growth and learning. The first year allowed us to understand the nuances of organizing such a large-scale event, and we continuously adapted and improved as we went along.
The Ziro Festival has always taken pride in being an eco-conscious festival. Was there a specific year when you started focusing on the ecological aspects or was it something that has always been important to you?
Bobby Hano: The tribe I belong to, the Apatani, has been practising forest protection since time immemorial. The preservation of the ecosystem has always been an integral part of our traditions. Every year, after completing our renowned Myoko festival, the community visits our own forest to honour our ancestral spirits, whom we believe protect us. Therefore, the ecological aspects were already ingrained in our minds when we initiated this festival.
Artists from across the world have performed at this festival. While it will be difficult to name your favourites, could you tell which artists were the biggest coup for you, in terms of getting them all the way to Arunachal to perform?
Bobby Hano: While it is indeed difficult to pick favourites among the numerous talented artists who have graced our festival, there are a few that I consider significant coups in terms of their presence at Ziro. Though I’d like to mention a Pakistani band (Natasha Humera Ejaz), who unfortunately couldn’t come due to visa issues in 2016. I was really looking forward to watching them perform live at our festival, but their visa was denied, and they couldn’t make it to India. Additionally, even if they had entered India, it wouldn’t have been not easy for them to visit Arunachal Pradesh. Pakistani, Chinese, Afghan, and Bangladeshi citizens are required to obtain clearance from the Ministry of Home Affairs in order to enter the region.
How do you see the experience of hosting and organising this Festival for a decade? When you started, did you expect to complete ten years?
Anup Kutty: The night before the first edition of the festival began, we were certain we wouldn’t even make it through the weekend! But we did. And now we are on our 10th edition (12 years if you count the pandemic). It’s like watching a baby grow up and go to college. When we started this journey, we had a vision of creating a unique platform that celebrates music, art, and culture in a breathtaking natural setting. However, I must admit that there were times when we did not anticipate the tremendous success and longevity that the Festival has achieved. Over the past ten years, Ziro Festival has grown from a humble beginning into a prominent cultural event that brings together artists, musicians, and enthusiasts from around the world. The journey has been both exhilarating and challenging. Seeing the festival evolve and leave a lasting impact on the creative landscape has been truly fulfilling. Our initial aspirations were focused on creating a space where artists could showcase their talents, where diverse communities could converge, and where music lovers could immerse themselves in a transformative experience. We strived to foster a sense of belonging, cultural exchange, and artistic exploration. Through the unwavering support of our team, volunteers, artists, sponsors, and the local community, Ziro Festival has persevered and thrived. It is a testament to the shared passion and dedication that went into making this dream a reality. The festival has not only endured but has grown stronger with each passing year, transcending expectations and carving a unique identity for itself.
What are the issues that remain a sore point in terms of ecological sustainability? Bottles, cigarette packets, and beer cans are disposed of safely and if yes, how?
Anup Kutty: Sustainability and waste management is always a challenge. It’s easy to come up with ideas but it’s extremely challenging to get everyone to implement these changes and practise them. We try to gamify waste management through ballot bins and incentivise the segregation of waste. It also helps that we work closely with local groups like the Apatani Women’s Association to help execute these ideas. On the other hand, we have been working with the local government systems for the disposal of non-compostable waste.
How has the mix been between Indian and international artists?
Anup Kutty: International presence at the festival has grown over the years because Ziro is a unique festival and the attendees are very receptive to new acts. It’s a great place for a band to gather new fans. Typically about 10-20% of our lineup is international and we are grateful for the continued support from cultural agencies like the British Council, Embassy of Israel and Institut de Francais. I believe that the fusion of Indian and international artists creates a unique and captivating experience for our festival-goers. By bringing together artists from different cultures and backgrounds, we aim to create a harmonious blend of musical styles and genres, allowing the audience to explore new perspectives.
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Could you tell us how the infrastructure for hosting such a festival has changed in these ten years? What has been the biggest boost to the festival?
Anup Kutty: Over the past ten years, the infrastructure of the region has undergone significant changes, greatly improving the overall experience for attendees. The biggest boost to the festival so far has been the train to Naharlagun. Before that, attendees had to do a really long road trip from Guwahati. With the new Holongi airport, there will be an additional travel experience for the attendees. With the airport in place, people now have the flexibility to choose between air and rail travel, further enhancing their overall festival experience. Additionally, the road to Ziro has also witnessed notable enhancements.
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