Posted inWorld ‘M3gan’: Neither a compelling science fiction nor an intriguing horror film by Ambar Chatterjee January 14, 2023January 14, 2023
Posted inWorld The Pale Blue Eye: One long and dreadful experience devoid of any joy by Ambar Chatterjee January 12, 2023January 12, 2023
Posted inNational Does ‘HIT- The Second Case’ has enough mystery to merit a view or two? by Ambar Chatterjee January 8, 2023January 8, 2023
Posted inWorld Did Mark Mylod’s ‘The Menu’ serve the audience well? by Ambar Chatterjee January 7, 2023January 7, 2023
Posted inFeatures Movie blogger’s favourite Indian films of 2022 by Ambar Chatterjee January 1, 2023January 1, 2023
Posted inWorld Glass Onion: A slapstick comedy more than a whodunit thriller by Ambar Chatterjee December 31, 2022December 31, 2022
Posted inMovies 2022 in Film: The good, the bad and the ugly by Dwijiri “Dwij” B. Basumatary December 31, 2022December 31, 2022
Posted inMovies ‘Har Har Mahadev’: A glorious tribute to ones who sacrificed everything for “Swarajya” by Ambar Chatterjee December 26, 2022December 26, 2022
Posted inMovies Zubeen Garg’s Rajneeti: Part 1: Over-the-top masala entertainment done right by Ambar Chatterjee December 24, 2022December 24, 2022
Posted inWorld ‘Wednesday’ review: Jenna and The Thing steal the show… single-handedly by Dwijiri “Dwij” B. Basumatary December 22, 2022December 26, 2022
